Lord of the Rings Evaluation essays

Lord of the Rings Evaluation essays Peter Jackson (director/writer/producer) has delivered viewers his triumphant midterm middle earth epic, Lord of the Rings: The Two Towers. Jackson wastes no time thrusting audiences into the book's action. The film begins with what appears to be a recap of Gandalf's encounter with Balrog only to reveal itself as a dream of sorts. While the joy and discovery has faded that can never again meet the vivid characters for the first time The Two Towers continues the tales fundamental good versus evil themes, as Frodo (Elijah Wood) continues to feel the burden of carrying the ring. The films singular revelation of Gollum (voiced by Andy Serkis) adds layers of moral complexity to this central conflict, as Frodo must decide what to do with this decadent and twisted creature that can guide hobbits to the black gates of Mordor, but can never bee completely trusted. With its medieval setting, chivalric and heroic idols, Jacksons imagery could not be clearer in this installment, where the t rees are sentient beings. The film goes far beyond the simplicity of being a bridge between the other books. It elevates the tension and accomplishment that was The Fellowship of the Ring, turning it into the magnificent tale that J.R.R. Tolkien aimed for. The visual aspects of this film were incredible, without much effort it is easy for the audience to be transported from their seat into the misty depths of middle earth. The outlook of the New Zealand shooting locations the vast grassy hills and the awesome snow-capped mountains are seen by a camera that loves swooping around them, making viewers feel socked in the gut and a little short of breath. The birds eye views in the beginning of the movie when Gimli, Aragon, and Legolas are en route to find the two hobbits; Mary and Pippin, transport the audience to the grassy plateaus on top of the mountains, and also near the end of the battle and Helms Deep when the rally of horses with ...